The Evolution of Women and Gender Representation in computerized RPGs: The Baldur's Gate Paradigm

Abstract

This study examines the evolution of gender representation and inclusivity of the Baldur's Gate series, comparing Baldur's Gate (1998), Baldur's Gate 2: Shadows of Amn (2000), and Baldur's Gate 3 (2023). The early games (BG and BG2) adopted a binary/traditional gender system with minimal character parameterization, following the technological limitations and societal norms of the late 1990s and early 2000s. The pronouns and the wording are strictly binary, and the female characters are often Hyper-sexualized, reinforcing traditional stereotypes while offering limited representation of diverse identities. In contrast, Baldur's Gate 3 marks a significant shift in mentality. The game allows the players to parameterize their characters, including non-binary pronouns, and gender-neutral expressions, with the freedom to design characters that go beyond the traditional gender roles. Female characters are portrayed with greater depth and diversity, moving away from hypersexualized depictions, although there are cases in which hyper sexualization exists, these are not prominent. This inclusivity extends to dialogue and interactions, fostering a more personalized and affirming player experience. This change follows an evolution in the gaming industry, which increasingly includes elements of diversity and representation in their games. The shift from the stereotypical binary norms in earlier games to the inclusivity of Baldur's Gate 3 highlights the franchise's adaptation to contemporary expectations.